CONSIDER:
the ancient future, archival science, arranged sound, sound systems; tracks as fluid sculpture, audio as a sensory-metadata file storage format, timbre as a concept-context-modulator, theory & philosophy of audio applied to all aspects of the human experience (speculative audio engineering), hiding in plain sight, the present moment (is the future's prologue), nonlinear histories of improvised music & transgender existence, speculative fiction, file transfer protocol, ensembles assembled to achieve/unearth a goal; devised works; cross-disciplinary collaboration; critical thinking; problem solving; technical craft, envelope modulation, dream logic; dream states; dream messages; quadrants of the self communicating to each other through back channels; magic realism, iteration as its own reward, software, cycles & loops on micro- && macro- scales, audio & recording technology; its relationship to "people" & "culture" & "society" (power/access/translation/alteration/isolation), lesbianism, style & substance (are in a lesbian relationship with each other), writing music on accident, childhood, mirrors & reflections & inversions, chaos, friendship, love, death